Madness in Berlin.

This short concept film was created as part of an ongoing visual diary - an exploration of silence, repetition, and the tension between digital noise and emotional absence.

Built entirely from AI-generated characters and overprocessed visuals, Madness in Berlin plays like a looping internal monologue caught in a mechanical world. The piece leans into glitches, motion artifacts, and uncomfortable timing to mirror a sense of emotional disconnection, using text fragments as the only narrative clue.

There’s no climax or resolution here - just a cycle of half-thoughts and unspoken things. It’s a format I return to often: short, self-contained visual loops where atmosphere speaks louder than storyline. This one was made with no commercial brief, no rules, and no pressure to explain anything.

A space for freedom and risk. Here, intuition often leads, and the result isn’t always polished - but always meaningful. These works are snapshots of ideas in motion, before they solidify.

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Even though AI art has become increasingly popular - and often leans toward the repetitive rather than the unique - I still feel a strong urge to explore it through short-form video. Especially in the earlier versions of these tools, there was a kind of beautiful unpredictability and imperfection that often led to surprisingly striking results. That sense of not knowing exactly what you’d get became part of the creative process itself - less about control, more about conversation.