This space exists beyond commercial briefs - a place where ideas can breathe freely, unbound by deadlines or deliverables. Over the years, I’ve used 2D and 3D compositions not only as visual experiments but as ways to explore narrative through form, light, rhythm, and texture.

Some pieces are quiet studies in balance and composition. Others are constructions of alternate realities - abstract fragments, architectural dreams, or imagined relics suspended between memory and invention. I’m drawn to the tension between order and chance, precision and ambiguity. Whether a sculptural form hangs in stillness or a digital surface stretches to its breaking point, these works embody how I think visually when there are no rules to follow.

This body of work doesn’t seek to impress or dazzle. Instead, it aims to reveal something essential - a feeling, a moment, an idea distilled through shape and shadow. It’s a continuation of everything I’ve absorbed from design, motion, and storytelling, freed from the obligation to communicate a concrete message, and instead inviting open interpretation.