Tomorrowland: Tale of Us.

Evolving motion designs crafted live for music, sound, and emotion.

Designing visuals for live techno performances means creating a fully immersive world - one that enhances the emotional and sonic experience without overshadowing it. Working closely with Afterlife and artists like Tale of Us, Mrak and Anyma, I developed a series of audio-reactive animations, narrative-driven sequences, and real-time visuals designed for large-scale shows.

My role spanned from concept development to final animation - blending 3D elements, abstract forms, and symbolic imagery to extend the music’s reach into a visual realm. These visuals were designed not only to amplify the performance but to anchor the brand's futuristic and emotional aesthetic.

Collaborating across time zones with musicians, creative directors, and live event producers, I delivered visuals that had to be technically robust, emotionally resonant, and adaptable for massive LED walls and complex setups. These projects often required rapid iteration, high creative pressure, and balancing storytelling with spectacle.

This work continues to shape how electronic music is experienced live - merging design with feeling, and technology with atmosphere.

Crafted to be felt before they’re understood, these moments exist somewhere between sound and story. In the dark spaces of live performance, visuals breathe - evolving with the crowd, never the same twice. Controlled chaos meets intent.

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I’ve created a wide range of visuals for different sets, artists, and ideas within the Afterlife universe - and collaborated with musicians like Lady Gaga, Tool, Trentemøller, Garbage, Dave Navarro and Carly Rae Jepsen.